Travess Smalley
TRAVESS SMALLEY’S WEBSITE
http://www.travesssmalley.com/
PHILIP GEFTER, “THE NEXT BIG PICTURE,” THE NEW YORK TIMES, JANUARY 23, 2014
LORENZO DURANTINI, “ON TRAVESS SMALLEY’S CAPTURE PHYSICAL PRESENCE,” APERTURE, MAY 28, 2013
http://www.aperture.org/blog/on-travess-smalleys-capture-physical-presence/
ROZALIA JOVANOVIC, “ ‘EMERGING: TRAVESS SMALLEY’S COLLAGES SURF A DIGITAL “FEEDBACK LOOP’ “, BLOUIN ARTINFO, MAY 6, 2013
“CONVERSATION WITH TRAVESS SMALLEY”, ÉTUDES, OCTOBER 13, 2012
http://www.etudes-studio.com/conversation-with-travess-smalley/
“TRAVESS SMALLEY STUDIO VISIT”, POST NEW
http://post-new.com/#feature=node/809
ROBIN PECKHAM, “TRAVESS SMALLEY: PHYSICAL MEDIUM, DIGITAL TRADITION”, DIGICULT
http://www.digicult.it/news/travess-smalley-physical-medium-digital-tradition/
PREPARED SCANNER – COMPOSITIONS IN CLAY, RHIZOME
http://rhizome.org/commissions/proposal/2582/
TRAVESS SMALLEY AT HIGHER PICTURES
http://www.higherpictures.com/artists/Travess_Smalley/
Travess Smalley, Computer Graphic on Vinyl, Vector Weave, Scan #92, 2013, uv print on stretched vinyl, 60 x 43.5 in.
Travess Smalley, Computer Graphic on Vinyl (1), 2013, UV Print on Commercial Grade Vinyl, 44" x 32", 111.76c
Travess Smalley, Prepared Scanner, a Composition in Clay, 2012
Travess Smalley, Capture Physical Presence #51, 2011, Photomontage, pigment print, 43 ¾ x 33 7/8 inches, unique
Travess Smalley, Capture Physical Presence #33, 2011, Photomontage, pigment print, 46 ¾ x 33 ¾ inches, unique