More texts to analyse
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Text 1
Bowel Cancer Leaflet
Starting Point
Start your analysis by considering the use of images with words to communicate the message. Then consider the syntax of the language
Text 2
The Black Swan Hotel
Starting Point
Start your analysis of the communicative value of this sign by considering how image and verbal text work together to communicate.
Text 3
Mothers and Sons
http://www.bbc.co.uk/radio4/features/the-listening-project/conversation/p018r6vcStarting Point
Transcribe the dialogue. Start your analysis by noticing the silences – what purpose do they serve?
Text 4
Fathers and Daughters
http://www.bbc.co.uk/radio4/features/the-listening-project/conversation/p012wz78Starting Point
Transcribe the dialogue. Start your analysis by considering the interruptions.
Text 5
At the supermarket
Anne: Oh bother! I have just remembered something I have forgotten!
Lady on till: Can you go and get it quickly?
Anne: I’ve no idea where it is.
Lady on till: That’s a shame.
Starting Point
Start by working out why Anne bothers to say anything out loud at all. Then work out how the two interlocutors jointly create this interaction.
Text 6
Getting and giving help
Getting and giving help:
Alison: Here you are – this is the form you wanted. Let me give it to you now before I forget.
Miriam: No – my hands are too full already. Can you carry this for me please?
Alison: Sure.
Ten minutes later
Miriam: Oh, Alison, I'm sorry. Are you still carrying my booklet around?
Alison: Yeah, it is no problem though.
Starting Point
Start by working out why Miriam apologises ten minutes after the first episode in the interaction.
Text 7
Fact and Opinion
Legal statements: http://www.nestle.com/media/statements/update-legal-action-by-colombian-trade-union
Starting Point
Start your analysis by separating statements of fact and statements of opinion from Nestlé and from the trade union. Then consider what is implied as opposed to what is stated.
Text 8
Ikea recall
http://www.ikea.com/ms/en_GB/about_ikea/newsroom/product_recalls/
Starting Point
Start your analysis by identifying what Ikea requires customers to do. How do they make the instruction to customers more polite?
Text 9
Findus Horsemeat
Starting Point
Start your analysis by working out how Findus are trying to maintain the upper hand in the horsemeat scandal.
Text 10 & 11
Words,words,words...
Write down 20 words (from the last thing you read, for example, or just think of them at random).
Starting Point
Start your analysis by analyzing the word class(es) of each word and considering what affixes can be applied to each. Then, if possible, find a (near) synonym for each word and specify the difference in meaning and in use.
A word is known by the company it keeps...
Look up your words on Wordnet http://wordnet.princeton.edu or in an up-to-date thesaurus to find words related in meaning.
Starting Point
Start your analyses of these meaning relationships by creating word-maps to show similarity/oppositeness etc. Then put each word into a sentence to show how two apparent synonyms cannot simply be swapped (e.g. That is an enormous (*vast) sum of money.
Text 12
Wake up and smell the coffee!
Go to your favourite coffee shop and consider all the current names for coffee.
Starting Point
Start by finding out where this idiom comes from. Find out the derivation and meaning of all the names of the coffees on offer and wonder why we cannot simply buy ‘a coffee, please’ nowadays.
Text 13
Idioms
An arm and a leg
the collywobbles
Visit http://www.phrases.org.uk/meanings/index.html or a similar site to find a long list of such idioms.
Starting Point
Start by working out the meaning and, if you can, the origins of the idiom. Then start considering contexts of use for each and/or the syntax of idioms (are there any common features?).
Text 14
Family Language
At appropriate points in any conversation, one of the authors‘ family used to use the phrase ‘better than a flap in the belly with a wet flat fish‘ and to talk about ‘being pulled out of the place‘ (though in speech, of was often omitted (regional dialect?).
Starting Point
Start by working out what you think these phrases might mean. Then, gather phrases/idioms etc. that your family uses that your friends seem not to understand. Ask older members of the family where they think the phrases come from.
Text 15
Headlines from 6th June 2013
Women doctors a 'burden' on the NHS, claims Health minister (the Independent)
Mum docs to blame for mess in service (the Daily Mirror)
Women GPs 'are burden' (the Sun)
Part-time women GPs blamed for NHS failings (The Times)
Starting Point
Start your analysis by identifying where a misunderstanding is located in the syntax of each headline.
Text 16
Findus Horsemeat Statement
Starting Point
Start a syntactic analysis by looking at the use of first person singular/plural pronouns – why the switch, do you think?
Text 17
The Crown Poem
http://www.guardian.co.uk/books/2013/jun/04/carol-ann-duffy-the-crown-poem
Starting Point
Start a syntactic analysis by looking at the use of finite and non-finite verbs, relating their use to the meanings being expressed.
OR
Start a textual analysis of this poem by considering the patterned use of phrases and clauses.
A point to ponder is the value of ‘official poetry‘ to mark official events (in this case the 60th anniversary of the coronation of HM Queen Elizabeth II).
Text 18
International Dialects of English
http://www.dialectsarchive.com/dialects-accents
Starting Point
Start with a revision of your knowledge of phonetics by listening to one recording while reading the phonetic transcription. Next listen to a recording without looking at the transcription, make your own transcription and then compare your version with the version on the site.
Text 19
So this is what you need to do...
Record a friend explaining to you how to do something simple (e.g. boil an egg, make a bed, recharge a mobile phone)
Starting Point
Start by transcribing exactly what your friend says, using phonetic symbols. Give your transcription to another (phonetically competent) friend to read aloud exactly what the transcription says and record that reading. Compare the two oral versions – and thereby improve the transcription of the original.
Text 20
British Library Learning: Sounds Familiar
http://www.bl.uk/learning/langlit/sounds/index.html
Starting Point
Start by finding a speaker from an (your?) area of the UK. Listen to the recording while reading the commentary. Repeat with another speaker from a different area. Note the differences (and make sure that you can hear them). Then record somebody you know and provide a commentary on their accent and dialect.
Text 21
Anomic aphasia
http://www.youtube.com/watch?v=LWAUmsgk8eg
Starting Point
Transcribe what is said orthographically. Start your analysis by considering what features of the language use indicate aphasia.
Text 22
Broca's aphasia
http://www.youtube.com/watch?v=gocIUW3E-go
Starting Point
Transcribe what is said orthographically. Start your analysis by identifying how Broca's aphasia is manifested.
Text 23
Sarah's stroke
https://www.youtube.com/watch?v=1aplTvEQ6ew
Starting Point
Transcribe what is said orthographically. Start your analysis by identifying how Sarah can use language and what she can communicate without using language.
Text 24
Garden path sentences
Garden path sentences appear simple to understand but they ‘lead you down the garden path‘ and you can suddenly find that your understanding does not work: e.g.
Until the police arrest the drug dealers control the street
The man who hunts ducks out at weekends
I will like the staff be pleased when everything is resolved
Starting Point
Start by working out exactly when a reader/hearer starts to get confused and then identify the cause of the confusion.
Text 25
Code-switching with three languages.
https://www.youtube.com/watch?v=wgWQoZz6nEk
Starting Point
Start your analysis by working out who uses which language to say what to whom. Can you work out why one speaker chooses to use one language or another?
Text 26
Code switching between Japanese and English
https://www.youtube.com/watch?v=qLbQrVvGqw0
Starting Point
Start your analysis by working out who uses which language to say what to whom. Can you work out why a speaker chooses to use one language or another?
Text 27
Words change...
aggravate, ignorant, queer, evil, wicked
Starting Point
Start your analysis by asking older relatives how the meaning of each of these words has changed in their lifetime – then go to a dictionary to check their intuitions.
Text 28
Language changes...
Starting Point
Start your analysis by considering the letter forms no longer in use in English, then move on to how the syntax has changed (do not get sidetracked by how the medical knowledge has changed.
Text 29
The Pricke of Conscience
Pricke of Conscience: Download
Starting Point
Start your analysis by comparing the Middle English version with the Modern English translation and finding which words are no longer in use and which ones are – decide why this might be the case.
Text 30
Dialect
http://www.dialectsarchive.com/dialects-accents
Starting Point
Start by comparing one of the international varieties of English with your own variety and noting the similarities and differences.