Spectrogram & related files

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Let It Be “1” thru V2 – Mono Spectrogram

Spectrogram of the beginning through the second verse of “Let It Be” (1, 2000); this passage appears in Figure 7.6 and Figure 5.5 as pitch density and timbral balance.

HCtS Moog Gliss Spectrogram

HCtS Moog Gliss Spectrogram

Spectrogram of “Here Comes the Sun” (1969, 1987), of Figure 10.4, Moog glissando sound.

HCtS thru Verse 1 Spectrogram

HCtS thru Verse 1 Spectrogram

Spectrogram of “Here Comes the Sun” (1969, 1987), beginning through Verse 1; compare with Figure 10.6, pitch density and timbral balance graph.

HCtS thru Verse 1 Spectrogram

HCtS Spectrogram & PDC

Spectrogram of “Here Comes the Sun” (1969, 1987), complete track; includes program dynamic contour and song structure. Compare to “6 – HCtS Timbral Balance Graph” of the track.

HCtS Timbral Balance KEY

HCtS Timbral Balance KEY

KEY for “6 – HCtS Timbral Balance Graph” – a timbral balance graph of “Here Comes the Sun.

HCtS Timbral Balance Graph

HCtS Timbral Balance Graph

Timbral balance graph of “Here Comes the Sun,” complete track. Use for comparison with the spectrogram of the complete track (“4 – HCtS Spectrogram & PDC,” above).

HCtS Guitar Introduction Spectrogram

HCtS Guitar Introduction Spectrogram

Spectrogram of George Harrison’s Gibson J-200 guitar lines during the Introduction to “Here Comes the Sun” (Abbey Road, 1969, 1987).

WMGGW Guitar Introduction Spectrogram

WMGGW Guitar Introduction Spectrogram

Spectrogram of George Harrison’s solo Gibson J-200 guitar line during the introduction to “While My Guitar Gently Weeps” (LOVE, 2006).