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Chapter 2

The 3D Visual Variables

Visual Variable 1- Camera Convergence
Visual Variable 2- Interaxial Distance

IA Controls Volume

B. IA Controls Scale

  • Page 29
  • Page 30

C. IA Controls Depth

  • Page 31
  • Page 32

Parallax

  • Page 33
  • Page 34
  • Page 36

Depth Bracket

  • Page 37
  • Page 38
  • Page 39
  • Page 40
  • Page 41
  • Page 42
Visual Variable 3- Stereoscopic Window
  • Page 45
  • Page 47
  • Page 48
The Depth Bracket and the Stereoscopic Window

Positioning the Depth Bracket in Relation to the Window

Positioning the Stereoscopic Windows in Relation to the Depth Bracket

  • Page 55
  • Page 56
  • Page 57

Chapter 3

Sin #2: Coupling and Decoupling
  • Page 65
  • Page 67
  • Page 68
Sin #3: Geometry Distortions

Geometric Photography and Projection Distortion

  • Page 75
  • Page 76
Sin #5: Window Violations

Horizontal Violations

  • Page 79
  • Solution #1
    • Page 81
  • Solution #2

Vertical Violations

  • Page 82
  • Solution #1
  • Solution #2
    • Page 85

Vertical Window Violations and Retinal Rivalry

  • Page 86
  • Solution #1
    • Page 87
    • Solution #2
      • Page 88
Sin #6: Point-of-Attention Jumps

3D Point-of-Attention Jumps Within the Shot

  • Page 92
  • Solution #1
    • Page 94
  • Solution #2
    • Page 95
  • Solution #3
  • Solution #4
    • Page 98
    • Page 99

3D Point-of-Attention Jumps from Shot-to-shot

  • Page 100
  • Solution #1
  • Solution #2
  • Solution #3
  • Solution #4
  • Solution #5, Blend A: The Adjustment
  • Solution #5, Blend B: The Bridge
  • Solution #5, Blend C: The Ease-Out

Chapter 4

Placing the Subject in Depth
  1. Shot Convergence
  2. Subject Convergence
Convergence and the Stereoscopic window
  • Page 126
  • Page 127
The 2D Depth Cues in 3D
  1. Object Placement in Depth
    • Page 134
  2. Visual Density
    • Page 135
  1. Overlap
    • Page 145
  1. Depth-of-field separates the FG, MG, and BG
    • Page 148
    • Page 150
  2. Depth-of-field controls directorial emphasis
  • 3D Open Space
  • 3D Unstable Space
    • Page 156

Appendix D

  • Stereoscopic Image Pairs
    • Page 216

Appendix E

  • How We See 3D