Music from the Textbook
Chapter 2
Example | Composer | Title |
2-4 | Gordon/Gruska | “Friends and Lovers” |
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2-7 | Schumann | "Träumerei" from Kinderszenen, op. 15 |
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Chapter 3
Example | Composer | Title |
3-1 | Hancock | “Maiden Voyage” |
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3-4 | Traditional | “Prayer of Thanksgiving” |
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3-8 | Tchaikovsky | Romeo and Juliet |
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3-9 | Traditional | “A Prayer of Thanksgiving” |
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3-12 | Bach | Brandenburg Concerto No.2 (I) |
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3-16 | Bach | Prelude no. 1 (from WTC I) |
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Chapter 4
Example | Composer | Title |
4-1 | Holyfield/House | “Could I Have this Dance?” |
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4-3 | Holyfield/House | “Could I Have this Dance?” |
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4-5 | Curtis/Becaud | “Let it Be Me” |
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4-6 | Bach | “Ich steh’ mir einem fuss im Grabe (from Cantata 156) |
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4-7 | Handel | “For unto us a Child is born” (from Messiah) |
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Chapter 5
Example | Composer | Title |
5-2a | Folk hymn | “Amazing Grace” |
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5-3 | Folk hymn | “Amazing Grace” |
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5-10a | Bach | French Suite in D minor (Menuett II) |
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5-10b | Mozart | Rondo K. 494 |
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5-10c | Kosma and Mercer | “Autumn Leaves” |
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5-13 | Jacobs/Casey | “Those Magic Changes” (from Grease) |
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5-16a | Davis/Gordy/Hutch/West | “I’ll Be There” |
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5-16b | Bach | French Suite no. 5 (Gavotte) |
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5-17 | Handel | Concerto Grosso op. 6, no. 12 (II) |
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5-19a | Bach | “Wachet auf” (from Cantata 140) |
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5-19b | Hendrix | “Hey Joe” |
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5-20 | Posner/Levine/Luke/Hindlin | “Sugar” |
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Chapter 6
Example | Composer | Title |
6-2 | Mozart | Piano Sonata K. 332 (I) |
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6-3 | Scubert | “Ständchen” |
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6-6b | Spiritual | “Michael, Row the Boat Ashore” |
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6-7a | Beethoven | Piano Sonata op.26 (I) |
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6-7b | Mendelssohn | Kinderstück op. 72, no. 1 |
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6-7c | Veracini | Sonata no.3 for Violin and Continuo |
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6-8a | Beethoven | Piano Sonata op.7 (III) |
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6-8b | Swift/Max/Martin/Schuster | “We Are Never Getting Back Together” |
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6-10a | English fold song | “Scarborough Fair” |
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6-10b | Hendricks/Timmons | “Moanin’” |
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6-11 | Nunn/Webber | “Memory” |
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6-12 | Sondeim/Berstein | “Maria” |
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6-13 | Beethoven | Piano Sonata op.22 (II) |
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6-14 | Schumann | “Volksliedchen” (No.9 from Album for the Young, op.68) |
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6-16 | Bach | “Herz und Mund und Tat und Leben” (from Cantata 147) |
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6-20 | Chopin | Nocturne op.37, no.1 |
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6-21 | Chopin | Etude op.10, no.3 |
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Chapter 7
Example | Composer | Title |
7-1a | Key/Smith | “The Star-Spangled Banner” |
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7-1b | Old English Air | “America” |
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7-4a | Mozart | Piano Sonata K.331 (III) |
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7-4b | Schumann | Kinderszenen no. 6 (“An Important Event”) |
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7-4c | King | “You’ve Got a Friend” |
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7-5 | Bergman/Legrand | Theme from Summer of ‘42 |
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7-6 | Chopin | Mazurka op. 68, no. 3 |
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7-9b | Rundgren | “Can We Still Be Friends?” |
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7-10a | Beethoven | Piano Sonata op.10, no.1 (I) |
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7-10b | Rodgers/Hammerstein | “Do-Re-Mi” (from The Sound of Music) |
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7-11 | Beethoven | Für Elise (from Albumblatt) |
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7-12 | Joel | “The Longest Time” |
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7-13 | Wagner | Die Meistersinger von Nürnburg (Prelude) |
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7-14 | Handel | “Alla Hornpipe” (from Water Music) |
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7-23 | Rachmaninov | Symphony No.2 (II) |
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Chapter 8
Example | Composer | Title |
8-4 | Rossini | Petite Messe Solonnelle (“Kyrie”) |
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8-6 | Mendelssohn | Overture to The Hebrides, op.26 |
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8-7a | Mozart | Piano Sonata K.279 (I) |
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8-7b | Mozart | Piano Sonata K.283 (I) |
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8-8 | Rodgers/Hammerstein | “Some Enchanted Evening” from South Pacific |
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8-9 | Chopin | Valse op.69, no.2 |
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8-10 | Wade/Reading | “Adeste Fidelis” |
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8-13 | Beethoven | Piano Sonata op.27, no.2 (II) |
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8-15 | DeVorzon/Botkin | “Nadia’s Theme” (from The Young and the Restless) |
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8-16 | Wagner | Tristan und Isolde (act 2, scene 2) |
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8-17 | Mozart | Piano Sonata K.331 (I) |
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8-18 | Tchaikovsky | “Arabian Dance” (from The Nutcracker) |
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8-19 | Bach | “Herz und Mund und Tat und Leben” (Chorale from Cantata 147) |
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8-20a | Evans | “Turn Out the Stars (Bill Evans at Town Hall-Verve 6-8683) |
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8-20b | Bricusse/Newley | “Pure Imagination (Willy Wonka and the Chocolate Factory) |
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8-21 | Brahms | Symphony no.2 op.73 (I) |
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8-22 | Van Halen | “Jump” |
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8-24 | Debussy | “Clair de Lune” (from Suite Bergamasque) |
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Chapter 9
Example | Composer | Title |
9-3a | Mozart | Eine kleine Nachmusik, K. 525 (I) |
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9-3b | Chopin | Prelude op. 28, no. 20 |
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9-4 | Bach | “Herz und Mund und Tat und Leben: (Choral, Cantata 147) |
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9-5 | Zaret/North | “Unchained Melody” |
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9-6 | Mozart | Piano Sonata K. 283 (II) |
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9-7 | Toplady/Hastings | “Rock of Ages” |
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9-9 | Mozart | Piano Sonata K. 311 (II) |
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9-10a | Kuhlau | Sonatina op.55, no.4 (II) |
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9-10b | Rimsky-Korsakov | Scheherazade (III) |
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9-11 | Debussy | “Clair de Lune” (from Suite Bergamasque) |
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9-13 | Chopin | Mazurka op. 7, no. 1 |
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9-15a | Beethoven | Piano Sonata op. 26 (I) |
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9-15b | Chopin | Fantaisie-Impromptu, op. 66 |
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9-16 | Goffin/King | “Will You Love Me Tomorrow?” |
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9-17 | Mozart | Piano Sonata K. 309 (I) |
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9-18a | Mozart | Durch Zärtlichkeith und Schmeicheln” (no. 8 from Die Entführung |
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9-18b | Haydn | Piano Sonata H. XVI: 34 (I) |
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9-19 | Bergman/Grusin | “It Might Be You” (theme song from Tootsie) |
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Chapter 10
Example | Composer | Title |
10-14 | Bach | French Suite no. 2, Menuet |
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Chapter 11
Example | Composer | Title |
11-1 | Sondheim/Berbnstein | “Somewhere” (from West Side Story) |
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11-4 | Weiss/Peretti/Creatore | “Can’t Help Falling in Love” |
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11-8a | Copland | Fanfare for the Common Man |
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11-8b | Keys | “If I Ain’t Got You” |
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11-13 | Fawcett/Naegeli | “Blest be the Tie” |
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Chapter 12
Example | Composer | Title |
12-10 | Bach | “Ermuntre dich, mein schwacher Geist” |
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12-11 | Elvey/Alford | “Come, Ye Thankful People Come” |
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Chapter 13
Example | Composer | Title |
13-2 | Bach | "Schmücke dich, o liebe Seele" |
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13-4 | Bach | “Wo sol lich fliehen hin” |
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13-5 | Bernstein | “One Hand, One Heart” (from West Side Story) |
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13-10 | Bach | “Schaut, ihr Sünder” |
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13-11a | Beethoven | Seven Variation on “God Save the King” (Theme) |
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13-11b | Beethoven | “God Save the King” (Theme: Ending “b”) |
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13-13 | Beethoven | Symphony no. 9 (fourth movement) |
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13-14 | Faber/Henry/Walton | “Faith of Our Fathers” |
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13-15 | Bach | “Valet will dir geben” |
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13-16 | Elvey | “Come, Ye Thankful People Come” |
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13-18 | Baring-Gould/Sullivan | “Onward, Christian Soldiers” |
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13-19 | Spiritual | “Michael, Row the Boat Ashore” |
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13-20a | Beethoven | Piano Sonata op. 26 (I) |
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13-20b | John/Rice | “Can You Feel the Love Tonight (from The Lion King) |
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Chapter 14
Example | Composer | Title |
14-3a | Bach | Für deinen Thron tret’ich hiermit” |
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14-3b | Bach | Christ lag in Todesbanden |
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14-3c | Bach | “Gott lebet noch” |
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14-3d | Bach | “Wach’ auf, mein Herz” |
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14-5 | Traditional Dutch air | “Prayer of Thanksgiving” |
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14-6 | Beethoven | Piano Sonata op. 10, no. 1 (third movement) |
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14-8 | Bach | “Das neugeborne Kindelein” |
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14-9 | Corrigan | “Cockles and Mussels” |
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14-10 | Bach | “O Ewigkeit, du Donnerwort” |
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14-12 | Purcell | Ode for St. Cecilia’s Day |
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14-13 | Rodgers/Hammerstein | “Climb Ev’ry Mountain” (The Sound of Music) |
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14-15a | Edmonds | “I Said I Love You” |
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14-15b | Mozart | Rondo, K.494 |
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14-16 | Wickham/Napier/Bell/Donaggio/Pallavicini | “You Don’t Have to Say You Love Me” |
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14-17a | Delange/Mills/Ellington | “Solitude” |
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14-18 | Davis | “Tune up” |
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Chapter 15
Example | Composer | Title |
15-1 | Bolton | “All Through the Night” |
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15-2 | Bareillis | “She Used to Be Mine” |
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15-4 | Traditional | “Come, Ye Thankful People, Come” |
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15-6a | Lennon/McCartney | “The Long and Winding Road” |
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15-6b | Beethoven | Symphony no.1, op.21 (I) |
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15-7b | Harris | “Don’t Know Why” |
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15-9 | Mozart | Piano Sonata K.284 (III) |
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15-10 | Schumann | Kinderszenen no.6 (“An Important Event”) |
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15-12 | Beethoven | String Quartet op.18, no.I (III) |
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15-14 | Schubert | Impromptu op.142, no.3 |
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15-16 | Evans | “Waltz for Debby” |
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15-17 | Kuhlau | Sonatina op.55, no.5 (I) |
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15-18a | Bach | Prelude no.11 from WTC, Book I |
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15-18b | Handel | Concerto Grosso op.6, no.1 (Allegro) |
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Chapter 16
Example | Composer | Title |
16-1 | Fosdick/Poulton | “Aura Lee” |
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16-2a | Joplin | “The Sycamore (A Concert Rag)” |
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16-2b | Peterson | “Hymn to Freedom” |
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16-3 | Cetera | “If You Leave Me Now” |
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16-4b | Scaggs | “We’re All Alone” |
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16-5a | Davis | “Tune Up” |
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16-5b | Young | “Stella by Starlight” |
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16-7a | Bricusse/Newley | “Pure Imagination” |
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16-7b | MacDonald/Abrams | “Minute by Minute” (from “The Doobie Brothers: |
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16-9a | Portnoy/Angelo | “Where Everybody Knows Your Name” (theme from Cheers) |
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16-9b | Rice/Webber | “I Don’t Know How to Love Him” (Jesus Christ Superstar) |
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16-10 | Scottish Air (Words by Robert Burns) | “Auld Lang Syne” |
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16-11 | Scottish Air (Words by Robert Burns) | “Auld Lang Syne” |
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16-12 | Scottish Air (Words by Robert Burns) | “Auld Lang Syne” |
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Chapter 17
Example | Composer | Title |
17-1a | Bach | “Wach auf, mein Herz” |
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17-1b | Follese/Delaney | “The Way You Love Me” |
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17-1c | Dehr/Gilkyson | “Greenfields” |
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17-2 | Mozart | Symphony no. 40 in G minor, K. 550 (III) |
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17-3 | Anonymous | Minuet (from the Notebook for Anna Magdalena Bach) |
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17-8 | Chopin | Mazurka op.56, no.1 |
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17-9a | Schubert | “Kennst du dad Land” |
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17-9b | Bernstein | “Tonight” (from ˆWest Side Story, act I, no.7) |
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17-10 | Brahms | “Erinnerung,” op. 63, no. 2 |
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17-11 | Mozart | Piano Sonata K. 310 (I) |
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17-12a | Brahms | Variations on a Theme of Robert Schumann, op.9 |
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17-12b | Schubert | Symphony no. 8 (I) |
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17-13 | Bach | “Helft mir Gott’s Güte preisen” |
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Chapter 18
Example | Composer | Title |
18-3a | Bach | French Suite No.3 (Minuet) |
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18-3b | Bach | Two-Part Invention no. 13, BWV 784 |
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18-7 | Williams | “One Barrel Chase” (from Jaws) |
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18-8 | Bergman/Legrand | “How Do You Keep the Music Playing?” |
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18-9 | Rodgers and Hart | “My Romance” (as performed by the Jack Schantz Quartet, |
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18-10 | Bergman/Legrand | “How Do You Keep the Music Playing?” |
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18-11 | Burke/Haggart | “What’s New?” |
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18-12a | Bach/Crüger | “Nun danket alle Gott” |
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18-12b | Bach/Crüger | “Nun danket alle Gott” |
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18-14 | Bach | Two-Part Invention no. 1, BWV 772 |
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18-15 | Bach | Two-Part Invention no. 6 in E Major, BWV 777 |
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Chapter 19
Example | Composer | Title |
19-5 | Bach | The Well-Tempered Clavier, Book I, BWV 861 (Fugue no. 16) |
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19-6 | Bach | The Well-Tempered Clavier, Book II, BWV 885 (Fugue no.16) |
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19-7 | Bach | The Well-Tempered Clavier, Book II, BWV 881 (Fugue no.12) |
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19-8 | Bach | The Well-Tempered Clavier, Book I, BWV 847 (Fugue no. 2) |
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19-9 | Bach | The Well-Tempered Clavier, Book I, BWV 861 (Fugue no. 16) |
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Chapter 20
Example | Composer | Title |
20-1 | Legrand | “The Summer Knows” (from The Summer of ’42) |
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20-2 | Mozart | Piano Sonata K. 332 (II) |
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20-3 | Beethoven | Piano Sonata op. 26 (II) |
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20-6a | Brahms | “Die Mainacht” |
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20-6b | Tchaikovsky | “Waltz of the Flowers” (from The Nutcracker) |
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20-6c | O’Sullivan | Alone Again, Naturally” |
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20-8a | Sager/Hamlisch | “Nobody Does It Better” |
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20-8b | Bricusse/Williams | “Can You Read My Mind” (from the Move Superman) |
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20-9 | Weiss/Thiele | “What a Wonderful World” |
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20-11 | Schubert | “Kennst du das Land?” |
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20-14a | Beethoven | Piano Sonata op. 14, no. 1 (III) |
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20-14b | Brahms | Symphony no. 3, op. 90 (II) |
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20-14c | Williams | Star Wars (main theme) |
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20-15 | Haydn | Piano Sonata H. XVI: 34 (I) |
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20-17 | Dvorák | New World Symphony, op. 95 (Largo) |
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Chapter 21
Example | Composer | Title |
21-3 | Beethoven | Piano Sonata op. 27, no. 2 (I) |
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21-5b | Verdi | “Stride la vampa!” from Il Trovatore (act 2, scene 1) |
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21-7 | Mozart | Piano Sonata K.280 (II) |
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21-8 | Chopin | Valse, op. 64, no. 2 |
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21-9 | Gounod | “Marcha Funebre de un Volatin” |
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21-10 | Kusik/Rota | “Speak Softly Love” (Theme from The Godfather) |
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21-12 | Bach | The Well-Tempered Clavier, Book I, BWV 844 (Prelude no. 1) |
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21-13 | Beethoven | Thirty-Two Variations on an Original Theme in C Minor, Wo0.80 |
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21-18a | Schubert | Sonatina for Piano and Violin, op. posth. 137, no. 2 |
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21-18b | Mozart | String Quartet K. 421 (III) |
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21-18c | Chopin | Etude op. 10, no. 3 |
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21-22 | Joplin | “The Sycamore” |
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21-23 | Monk | “’Round Midnight” |
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21-24 | Schumann | “Am leuchtenden Sommermorgen” (no.12 from Dichterliebe, op.48) |
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Chapter 22
Example | Composer | Title |
22-2a | Beethoven | Sonata op. 28 (III) |
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22-2b | Chopin | Nocturne op. 27, no. 1 |
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22-4 | Dello Joio | Piano Sonata no. 3 (I) |
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22-5 | Schubert | “Die Liebe hat gelogen” |
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22-6a | Beethoven | Bagatelle no.8, op.119 |
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22-6b | Wolf | “Gebet” (No.28 from Mörike Songs) |
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22-6c | Rogers | “Some Enchanted Evening” (from South Pacific) |
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22-6d | Joplin | “Pleasant Moments” (Ragtime Waltz) |
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22-10a | Haydn | String Quartet op.76/4 (I) |
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22-10b | Tchaikovsky | Symphony no. 6, op. 74 (I) |
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22-11 | Schubert | Moments musical no. 6 from Sechs Moments Musicaux, op.94 (D.780) |
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22-12 | Mahler | “Rheinlegendchen” (from Des Knaben Wunderhorn) |
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Chapter 23
Example | Composer | Title |
23-1 | Brahms | “Wie Melodien zieht es mir,” op. 105, no. 1 |
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23-3 | Beethoven | Piano Sonata op. 10, no. 1 (I) |
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23-4a | Beethoven | Trio, Op. 1, no. 1 (IV) |
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23-4b | Smith/Bernard | “Walking in a Winter Wonderland” |
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23-4c | Beethoven | Sonata for Violin and Piano op. 24 (II) |
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23-5a | Brahms | Quintet no.1, op.88 |
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23-5b | Liszt | Consolation no. 2 |
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23-6 | Schubert | “Sehnsucht” |
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23-9 | Tchaikovsky | Onegin’s Airia from Eugene Onegin |
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23-10 | Chopin | Fantasy in F Minor, op. 49 |
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23-12 | Brahms | Ballade op. 10, no. 4 |
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23-13 | Beethoven | Piano Sonata op. 13 (I) |
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23-14 | Beethoven | Piano Sonata op. 13 (I) |
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23-16 | Beethoven | Symphony no.5, op.67 (II) |
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23-17 | Liszt | Consolation no. 2 |
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Chapter 24
Example | Composer | Title |
24-4 | Chopin | Etude op. 10, no. 3 |
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24-5 | Tchaikovsky | Lenski’s Aria from Eugene Onegin (act 2, scene2) |
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24-6 | Puccini | “Che gelida manina” from La Boheme (act 1) |
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24-7 | Tchaikovsky | Romeo and Juliet |
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24-9 | Bacharach | “What the World Needs Now” |
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24-12 | Wagner | “Wahn! Wahn! Die Meistersinger von Nürnberg) (act 3, scene 1) |
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24-14 | Hart/Webber | “All I Ask of You” (from Phantom of the Opera) |
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24-15 | McBride | “Secret Rendezvous” |
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24-18 | Chopin | Nocturne op.32, no.1 |
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24-19 | Chopin | Mazurka op. posth. 68, no. 4 |
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24-20 | Chopin | Prelude op. 28, no. 4 |
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24-21 | Chopin | Mazurka op. 17, no. 4 |
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24-22 | Chopin | Nocturne op.48, no.2 |
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24-23 | Foster/Graydon/Champlin | “After the Love Has Gone” |
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24-24 | Saint-Saëns | Trio in E Minor, op. 92 (III) |
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Chapter 25
Example | Composer | Title |
25-1 | Brahms | Waltz op. 39, no. 3 |
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25-2 | Brahms | Waltz op. 39, no. 3 |
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25-3 | Kuhlau | Sonatina op.20, no.1 (I) |
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25-4 | Kuhlau | Sonatina op.20, no.1 (I) |
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25-5 | Kuhlau | Sonatina op.20, no.1 (I) |
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25-6a | Mozart | Piano Sonata K.332 (I) |
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25-6b | Mozart | Piano Sonata K.332 (I) |
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25-6c | Mozart | Piano Sonata K.332 (I) |
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25-7 | Chopin | Prelude op. 28, no. 7 |
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25-8 | Clementi | Sonatina op. 36, no. 1 |
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25-9 | Beethoven | Piano Sonata op. 13 (II) |
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25-11 | Bach | French Suite no. 5 (Gavotte) |
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25-12 | Beethoven | Piano Sonata op. 14, no.2 |
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25-13 | Desmond | “Take Five” |
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25-14 | Schumann | Kinderszenen, op. 15, no. 6 |
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Chapter 26
Example | Composer | Title |
26-2 | Mozart | Eine kleine Nachmusik (I), Exposition, First Thematic Area |
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26-3 | Mozart | Eine kleine Nachmusik (I), Exposition, Transition |
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26-4 | Mozart | Eine kleine Nachmusik (I), Exposition, Second Thematic Area |
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26-5 | Mozart | Eine kleine Nachmusik (I), Exposition, Codetta |
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26-6 | Mozart | Eine kleine Nachmusik (I), Development |
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26-7 | Mozart | Eine kleine Nachmusik (I), Recapitulation, First Thematic Area/Tran. |
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26-8 | Mozart | Eine kleine Nachmusik (I), Recapitulation, Second Thematic Area |
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26-9 | Mozart | Eine kleine Nachmusik (I), Coda |
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Chapter 27
Example | Composer | Title |
27-1 | Beethoven | Piano Sonata op. 13 (II), Theme A (Refrain) |
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27-2 | Beethoven | Piano Sonata op. 13 (II), Episode B |
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27-3 | Beethoven | Piano Sonata op. 13 (II), Refrain |
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27-4 | Beethoven | Piano Sonata op. 13 (II), Episode C |
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27-5 | Beethoven | Piano Sonata op. 13 (II), Refrain |
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27-6 | Beethoven | Piano Sonata op. 13 (II), Coda |
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Chapter 28
Example | Composer | Title |
28-6b | Rodgers | “Slaughter on Tenth Avenue” |
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28-6c | Prokofiev | Classical Symphony, op. 25 (III) |
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28-6d | Fogerty | “Proud Mary” |
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28-7 | Debussy | “Minstrels” (Preludes, Bk. I, no. 12) |
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28-9a | Chavez | Ten Preludes (no.1) |
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28-9b | Turek | “Carnival Days” (from Songs for Kids) |
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28-10 | Davis | “So What?” |
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28-11a | Debussy | “Hommage a Rameau” (Images, Book I) |
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28-11b | Debussy | “Les collines d’Anacapri” (Preludes, Bk.I, no.5) |
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28-15 | Debussy | “Voiles” (Preludes, Bk. I, no. 2) |
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28-17 | Debussy | Pour le piano (Sarabande) |
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28-18 | Hindemith | Ludus Tonalis (Fugue no. 5) |
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28-20 | Debussy | “Voiles” (Preludes, Bk. I, no. 2) |
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28-21b | Debussy | “Soiree dans Grenade” (Estampes, no.2) |
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28-23b | Debussy | “Feuilles mortes” (Preludes, Bk. II, no. 2) |
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Chapter 29
Example | Composer | Title |
29-1a | Hindemith | “Un cygne,” from Six Chansons (1939) |
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29-1b | Bartók | Fourteen Bagatelles, op. 6, no. 11 (1908) |
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29-4a | Schuman | Three Score Set, (II) (1943) |
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29-4b | Persichetti | Harmonium, op. 50, no. 3 (1959) |
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29-5 | Honegger | Symphony No.5, (I) (1950) |
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29-6a | Ravel | “Blues” Sonate pour Violon et Piano (II) |
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29-6b | Stravinsky | The Rite of Spring, “The Sacrifice” (1913) |
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29-7a | Bartok | “Major and minor” no.59 (from Mikrokosmos vol.II) |
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29-8a | Rorem | “The Air Is the Only” (from Poems of Love and the Rain) |
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29-8b | Dello Joio | Piano Sonata no. 3 (I), Variation IV |
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29-9a | Stravinsky | The Rite of Spring (Introduction) |
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29-9b | Stravinsky | The Rite of Spring (“Spring Rounds”) |
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29-10 | Bartok | “Boating” from Mikrokosmos, vol.V (1939) |
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Chapter 30
Example | Composer | Title |
30-7 | Schoenberg | Klavierstücke, op. 11, no. 1 |
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30-12 | Schoenberg | “Nacht” from Pierrot Lunaire |
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30-17 | McCarthy | Visions and Apparitions (II) |
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30-19 | Bernstein | Three Silhouettes for Guitar (II) |
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30-20 | McCarthy | “Siobhan In Colonial Williamsburg” from An American Girl (II) |
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Chapter 31
Example | Composer | Title |
31-1a | Schoenberg | Fünf Klavierstücke, op.23, no.4 |
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31-1b | Schoenberg | Fünf Klavierstücke, op.23, no.4 |
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31-4a | Turek | Three by Twelve (I) |
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31-4b | Turek | Three by Twelve (II) |
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31-7 | Schoenberg | Fourth String Quartet, op. 37 (I) |
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31-12 | Dallapiccola | Quaderno Musicale di Annalibera (Simbolo) |
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Chapter 32
Example | Composer | Title |
32-4 | Guaraldi | “Christmas Time is Here” |
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32-6 | Adair and Dennis | “Everything Happens to Me” |
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32-7a | Bryson and Goldberg | “Flintstones Theme” |
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32-7b | Bryson and Goldberg | “Flintstones Theme” |
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32-8a | Bryson and Goldberg | “Flintstones Theme” |
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32-8b | Bryson and Goldberg | “Flintstones Theme” |
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32-12a | Wolf and Landesman | “Spring Can Really Hang You Up the Most” |
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32-13 | Bryson and Goldberg | “Flintstones Theme” |
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32-15 | Hamilton | “Cry Me a River” |
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32-18c | Turek | Medium Latin |
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32-21 | Russell | “This Masquerade” |
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32-22b | Webster and Mandel | “A Time for Love” |
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32-23b | Mercer/Arden | “My Shining Hour” |
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32-24a | Fox and Gimbel | “Killing Me Softly with His Song” |
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Chapter 33
Example | Composer | Title |
33-3 | Peterson | “Hymn to Freedom” |
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33-4 | Typical | 12-Bar Blues |
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33-5 | with Further Substitutions | 12-Bar Blues |
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33-7 | Standard | Minor Blues |
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33-9 | Silver | “Cookin’ at the Continental” |
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33-12 | Hancock | “Canteloupe Island” |
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33-14 | Leiber and Stoller | “Kansas City” |
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Chapter 34
Example | Composer | Title |
34-1 | McCarthy | “Looking for Cool” |
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34-3 | Joel | “The Longest Time” |
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34-4 | Turek | “You and Me” |
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34-6 | McCarthy | “One Fine Day” |
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34-10 | McCarthy | “Long Ago” (Verse) |
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34-11 | McCarthy | “Long Ago” (Bridge) |
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34-12 | McCarthy | “Humpti Dumpti“ (Chorus) |
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34-13 | McCarthy | “Humpti Dumpti” (Bridge) |
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34-14 | McCarthy | “Close Your Eyes” |
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34-15 | Adkins | “Someone Like You” |
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