Back to Basics Review Exercises
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Chapter 1
1.1: Mode Construction and Identification
Chapter 2
2.1: Interval Recognition and Spelling
2.2: Interval Recognition and Spelling
2.3: Enharmonic Intervals
Chapter 3
3.1: Triad Identification and Spelling
3.2: Triad Inversion
3.3: Constructing Dominant Seventh Chords
3.4: Seventh Chords in Inversion
Chapter 4
4.1: Lead Sheet Symbols: Triads and Seventh Chords
4.2: Lead Sheet Symbols: Inverted Chords
4.3: Constructing Chords from a Figured Bass
Chapter 5
- 5.1: Diatonic Triads in Major-Harmonic Function
- 5.2: Diatonic Triads in Minor-Harmonic Function
5.3: Constructing Triads in Major and Minor Keys
- 5.4: Constructing Seventh Chords-Harmonic Function Music Theory Trainer
Chapter 6
6.1: Cadences
Chapter 7
7.1: Real and Tonal Sequences
7.2: Large-Scale Melodic Events
Chapter 8
8.1: Passing Tones and Neighbor Tones
8.2: Appoggiatura, Escape Tone, and Double Neighbor
8.3: Anticipation, Suspension, and Retardation
Chapter 9
9.1: Phrase and Period Relationships
9.2: Phrase and Period
9.3: Phrase Extension
Chapter 11
11.1: Voicing Triads
11.2: The Fiendish Five
Chapter 12
12.1: Root-Position Triads
Chapter 13
13.1: First-Inversion Triads
13.2: Second-Inversion Triads
Chapter 14
14.1: Seventh Chords
Chapter 15
Chapter 21
21.1 Neapolitan Sixth Chord Construction
21.1 Augmented Sixth Chord Construction