CW Links
CW7.1 – Harmonic Singing
Harmonic singing is practiced in many geographical areas other than Tibet. Mongolia and Tuva are among those areas that also have rich traditions. Thanks to globalization, these sounds are occasionally incorporated in musical styles around the world. Another unusual vocal style is the throat singing of the Inuit people. Search the internet for examples of: “throat singing,” “harmonic singing,” “overtone singing,” or the individual geographical regions.
Here are some resources:
CW7.2 – Bernice Reagon
To hear Reagon talk about her experiences as a civil rights activist go to “Bernice Johnson Reagon Interview”
CW7.3 – Sacred Harp Singing
For general information and resources on sacred harp singing, go to:
CW7.4 – The Eight Church Modes
Before the establishment of major/minor tonality in the late sixteenth century, the melodic language of most of Western music was organized according to the eight church modes. Each mode had its own distinct sound. The most important tone of each mode was its final (finalis) on which a work ended. The modes were grouped in pairs, based on shared finals and range, and were named by number or by Greek names. For works in the even numbered modes, the final lies at the bottom of the melody’s range. For works in the odd numbered modes, the final lies in the middle of the melody’s range.
- Modes 1 (Dorian) and 2 (Hypodorian) had finals on the note D.
- Modes 3 (Phrygian) and 4 (Hypophrygian) had finals on E.
- Modes 5 (Lydian) and 6 (Hypolydian) had finals on F.
- Modes 7 (Mixolydian) and 8 (Hypomixolydian) had finals on G.
The Ionian (the major scale), Aeolian and Locrian modes were added later and not used in the Middle Ages. Many folk songs, jazz compositions, and contemporary works are also modal.
See:
http://www.classicfm.com/discover-music/latest/guide-to-musical-modes/
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If you read music, go to:
http://musictheoryfundamentals.com/MusicTheory/modes.php
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to see modes 1, 3, 5, and 7 written in notation.
CW7.5 – The Renaissance Mass
To listen to samples of a few movements from Renaissance masses:
- The Kyrie and beginning of the Gloria of Missa (Mass) Di Dadi (the Dice Mass) by Josquin des Prez (ca. 1450/55-1521) performed by the Tallis Scholars.
- Here are parts of the Agnus Dei of Josquin’s Missa Pange lingua, also performed by the Tallis Scholars.
- This is Palestrina’s (ca. 1525-1594) Kyrie from Missa Papae Marcelli (Pope Marcellus), sung by New York Polyphony.
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CW7.6 – Yorùbá Bàtá Drumming
For a video example of Yorùbá Bàtá drumming, see:
- Yorùbá Bàtá Ensemble Drums for Òrìsà, volume 1
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CW7.7 – Quranic Recitation
For an examples of Quranic recitation see:
https://www.youtube.com/watch?v=P4_--6zN43M
https://www.youtube.com/watch?v=ujdvBoGAzK0
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Quaran competitions, for children and adults, are an important part of Islamic culture.
https://www.youtube.com/watch?v=rRhWwsmdJcw
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See also the documentary on IMDb the oldest Quran reciting competition (in Cairo), Koran by Heart (2011), directed by Greg Barker.
https://www.youtube.com/watch?v=ptHdmw57rzM
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CW7.8 – Sufism
For more information, watch this Smithsonian documentary on Sufism.
CW7.9 – The Jewish Tradition
- Yom Kippur (Finale) - Cantor Azi Schwartz at Park Avenue Synagogue
- High Holy Days shofar demonstration
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