Workbook - Part Two - Intermediate

Chapter 11 – Voicing Formations

Ear Training

Each of the following audio tracks contains TWELVE L.H. major structures containing the root and the guide tones. After hearing each chord, sing/play the assigned upper structure. After a brief pause, the answer is given.
Each of the following audio tracks contains TWELVE L.H. minor structures containing the root and the minor third. After hearing each chord, sing/play the assigned upper structure. After a brief pause, the answer is given.
Each of the following exercises contains TWELVE L.H. dominant structures containing the root and the guide tones. After hearing each chord, sing/play the assigned upper structure. After a brief pause, the answer is given.
Track 72 contains FIFTY major formations with major and minor upper-structure triads. Identify the quality of each triad and its scale-degree position in relation to the root of the major chord.
Track 73 contains FIFTY minor formations with major and minor upper-structure triads. Identify the quality of each triad and its scale-degree position in relation to the root of the minor chord.
Track 74 contains FIFTY dominant formations with major and minor upper-structure triads. Identify the quality of each triad and its scale-degree position in relation to the root of the dominant 7th chord.

Chapter 12 – Keyboard and Jazz Chorale Textures

Chapter 13 – Idiomatic Jazz Progressions

Harmonic Progressions ID

                                                              Chapter 15 – Bebop Blues

                                                              Play Along Sessions

                                                              Tracks 26-29: Play the following blues progressions using the sample solos from the Workbook.

                                                              Chapter 16 – The Confirmation Changes

                                                              Play Along Sessions

                                                              Tracks 30-32: Play the following “Confirmation” progressions using the sample solos from the Workbook.

                                                              Chapter 17 – The Rhythm Changes

                                                              Play Along Sessions

                                                              Tracks 33-35: Play the following “Rhythm Changes” progressions using the sample solos from the Workbook.

                                                              Chapter 18 – Pentatonics, Hexatonics, Octatonics

                                                              Chapter 19 – The Tristano Style of Improvisation

                                                              Play Along Sessions

                                                              Tracks 36: Play Lennie Tristano’s “Line Up” (solo in C, Bb, Eb and Bass clef in the Workbook) with the pre-recorded rhythm section