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  • Chapter One: Music Fundamentals
  • Track 1
  • Track 2
  • Track 3
  • Track 4
  • Track 5
  • Track 6
  • Track 7
  • Track 8
  • Track 9
  • Track 10
  • Track 11
  • Track 12
  • Track 13
  • Track 14
  • Track 15
  • Chapter Two: Jazz Rhythm
  • Track 16
  • Chapter Three: Harmonic Function
  • Track 17
  • Track 18
  • Chapter Four: Four-Part Chords
  • Track 19
  • Track 20
  • Track 21
  • Track 22
  • Track 23
  • Track 24
  • Track 25
  • Track 26
  • Track 27
  • Chapter Five: Five-Part Chords
  • Track 28
  • Track 29
  • Track 30
  • Track 31
  • Track 32
  • Track 33
  • Track 34
  • Track 35
  • Track 36
  • Track 37
  • Track 38
  • Chapter Seven: Modes
  • Track 39
  • Track 40
  • Chapter Thirteen: Idiomatic Jazz Progressions
  • Track 41
  • Track 42
  • Track 43
  • Track 44
  • Track 45
  • Track 46
  • Chapter Fourteen: Voicings
  • Track 47
  • Track 48
  • Track 49
  • Track 50
  • Track 51
  • Track 52
  • Track 53
  • Track 54
  • Track 55
  • Track 56
  • Track 57
  • Chapter Fifteen: Bebop
  • Track 58
  • Chapter Twenty-One: Phrase Models
  • Track 59
  • Track 60
  • Track 61
  • Chapter Twenty-Seven: Post-Tonal Jazz
  • Track 62
  • Track 63
  • Track 64
  • Track 65
  • Track 66
  • Track 67
  • Track 68
  • Track 69
  • Track 70
  • Track 71
  • Track 72
  • Track 73
  • Figure 1.3
  • G major scale
  • F major scale
  • Figure 1.6
  • Natural minor
  • Harmonic minor
  • Melodic minor
  • Major scale
  • Natural minor
  • Harmonic minor
  • Melodic minor
  • Perfect unison
  • Major second
  • Major third
  • Perfect fourth
  • Perfect fifth
  • Major sixth
  • Major seventh
  • Perfect octave
  • Unison
  • Second
  • Third
  • Fourth
  • Fifth
  • Sixth
  • Seventh
  • Octave
  • Unison
  • Second
  • Third
  • Fourth
  • Fifth
  • Sixth
  • Seventh
  • Octave
  • Figure 1.16
  • Major triad
  • Minor triad
  • Diminished triad
  • Augmented triad
  • Figure 1.18
  • Figure 2.2
  • Figure 2.5
  • Figure 3.7
  • Figure 3.8
  • Figure 4.1
  • Figure 4.2
  • Figure 4.3
  • Figure 4.4
  • Figure 4.5
  • Major
  • Minor
  • Dominant
  • Intermediary
  • Major 6
  • Major 7
  • Major 7(♭5)
  • Major 7(♯5)
  • Minor 6
  • Minor 7
  • Minor (♯7)
  • Dominant 7
  • Sus dominant
  • Dominant 7(♭5)
  • Dominant 7(♯5)
  • Diminished 7
  • Diminished (♯7)
  • Figure 5.2
  • Figure 5.3
  • Major ninth
  • Flat ninth
  • Sharp ninth
  • Major ninth
  • Flat ninth
  • Sharp ninth
  • Figure 5.6
  • Figure 6.3
  • Figure 6.4
  • Figure 6.5
  • Figure 6.8
  • Figure 6.9a
  • Figure 6.9b
  • Figure 7.1
  • Figure 7.3b
  • Figure 7.4b
  • Figure 7.5b
  • Figure 7.6b
  • Figure 7.7b
  • Figure 7.8b
  • Figure 7.9
  • Figure 7.10b
  • Figure 7.11b
  • Figure 7.12b
  • Figure 7.13b
  • Figure 7.14b
  • Figure 7.15b
  • Figure 7.16b
  • Figure 8.1
  • Figure 8.2
  • Ionian
  • Lydian
  • Lydian augmented
  • Melodic minor
  • Aeolian
  • Dorian
  • Figure 8.5a
  • Figure 8.5b
  • Mixolydian
  • Mixolydian ♯11
  • Mixolydian ♭13
  • Altered
  • Mixolydian
  • Mixolydian ♭13
  • Phrygian
  • Dorian ♭2
  • Dorian
  • Locrian ♮2
  • Locrian
  • Figure 8.10
  • Figure 8.11a
  • Figure 8.11b
  • Figure 8.11c
  • Figure 8.11d
  • Figure 8.12a
  • Figure 8.12b
  • Figure 9.2
  • Figure 9.3
  • Figure 9.5
  • Figure 9.6
  • Figure 9.7
  • Figure 9.8a
  • Figure 9.10b
  • Figure 10.1
  • Figure 10.5
  • Figure 10.7a
  • Figure 10.7b
  • Figure 10.8a
  • Figure 10.8b
  • Major
  • Minor
  • Major
  • Minor
  • Major
  • Minor
  • Major
  • Minor
  • Major
  • Minor
  • Major
  • Minor
  • Major
  • Minor
  • Figure 13.7
  • Figure 13.10
  • Figure 13.11
  • IV
  • ♯IV
  • III
  • V
  • ♭III
  • ♭VI
  • II
  • ♭II
  • VI
  • ♭VII
  • VII
  • IV
  • V
  • II
  • ♭VII
  • ♭III
  • VI
  • III
  • ♭VI
  • VII
  • ♭II
  • ♯IV
  • Major
  • Minor
  • II
  • ♭III
  • ♭V
  • ♭VI
  • VI
  • ♭ii
  • ♭iii
  • ♭v
  • v
  • vi
  • C7(♭13/♯9)sus
  • Figure 14.6a
  • Figure 14.6b
  • Figure 14.6c
  • Figure 15.1
  • Figure 15.3
  • C minor ♯7
  • C minor ♭7
  • C Dorian
  • C minor ♯7
  • C minor ♭7
  • C Dorian
  • Figure 15.6
  • Figure 15.7
  • Figure 15.8
  • C major bebop ascending patterns
  • C major bebop descending patterns
  • C minor (♯7) ascending patterns
  • C minor (♯7) descending patterns
  • Figure 15.9c
  • Pattern 1
  • Pattern 2
  • Figure 15.10a
  • Figure 15.10b
  • C dominant ♭13 ascending patterns
  • C dominant ♭13 descending patterns
  • Figure 15.15
  • Figure 15.16
  • Figure 15.17a
  • Figure 15.17b
  • Figure 15.17c
  • Figure 16.1
  • In F major
  • In A♭ major
  • In B minor
  • In D minor
  • In F minor
  • In A♭ major
  • In B major
  • In D major
  • Harmonic pattern 1
  • Harmonic pattern 2
  • Melodic pattern 1
  • Melodic pattern 2
  • Figure 17.1
  • Figure 17.2
  • Figure 17.3
  • Figure 17.4
  • Figure 17.5
  • Figure 17.6
  • Figure 17.7
  • Figure 17.8
  • Figure 17.9
  • a
  • b
  • c
  • d
  • e
  • f
  • g
  • h
  • i
  • a
  • b
  • c
  • d
  • e
  • f
  • g
  • h
  • Figure 19.6
  • Figure 19.8
  • a
  • b
  • c
  • d
  • e
  • Figure 19.11
  • Figure 20.1
  • Figure 20.2
  • Figure 20.3
  • Figure 20.4
  • Figure 20.6
  • Figure 20.7
  • Figure 20.8a
  • Figure 20.8b
  • Major
  • Minor
  • Dominant
  • Suspended
  • Dorian
  • Phrygian
  • Lydian
  • Mixolydian
  • Aeolian
  • Locrian
  • Melodic minor
  • Lydian augmented
  • Mixolydian ♯11
  • Locrian ♮2
  • Altered
  • Major
  • Lydian
  • Lydian augmented
  • Minor
  • Dorian
  • Aeolian
  • Melodic minor
  • Dominant
  • Mixolydian
  • Mixolydian ♯11
  • Altered
  • Figure 20.13
  • Figure 20.14
  • Figure 20.15
  • Major pentatonic
  • Minor pentatonic
  • Dominant pentatonic
  • Phrygian pentatonic
  • Lydian pentatonic
  • Aeolian pentatonic
  • Melodic minor pentatonic
  • Mixolydian ♯11 pentatonic
  • Altered pentatonic
  • Suspended II pentatonic
  • Lydian augmented II pentatonic
  • Minor pentatonic
  • Suspended pentatonic
  • Dorian pentatonic
  • Mixolydian pentatonic
  • Lydian augmented pentatonic
  • Dorian ♭2 pentatonic
  • Phrygian II pentatonic
  • Suspended IV pentatonic
  • Pitch aggregate
  • Ionian hexatonic
  • Lydian hexatonic
  • Lydian augmented
  • Major altered hexatonic
  • Pitch aggregate
  • Dorian hexatonic
  • Aeolian hexatonic
  • Melodic minor
  • Minor altered hexatonic
  • Pitch aggregate
  • Mixolydian hexatonic
  • Mixolydian ♯11 hexatonic
  • Mixolydian ♭13
  • Mixolydian ♭9 hexatonic
  • Dominant altered hexatonic
  • Pitch aggregate
  • Phrygian hexatonic
  • Locrian hexatonic
  • Locrian ♮2 hexatonic
  • Dorian ♭2 hexatonic
  • Intermediary altered hexatonic
  • Lydian hexatonic
  • 1
  • 2
  • 3
  • 4
  • Ionian hexatonic
  • Dorian hexatonic
  • Mixolydian ♯11 hexatonic
  • Suspended altered I hexatonic
  • Dorian ♭2 hexatonic
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • 1
  • 2
  • 3
  • 4
  • 5
  • Figure 25.3
  • Figure 25.5
  • Figure 25.6
  • Figure 25.7
  • Figure 25.8
  • Figure 25.11
  • Figure 25.12
  • Figure 25.13
  • Figure 25.14
  • Figure 25.15
  • a
  • b
  • c
  • d
  • e
  • f
  • g
  • h
  • Mm. 25-28
  • Mm. 63-68
  • Figure 27.1
  • Figure 27.3
  • Diatonic trichords
  • Wholetone trichords
  • Triadic trichords
  • Semitone trichords

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